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The music industry is in trouble. Its titans complain about the continuous decrease in CD sales. And while in previous years the big houses (and the little ones they held within) were the only logical recipients for solo artists and musical groups and acts (think boy bands and the like), today many percussionists, string magicians, vocalists, and pianists and keyboardists, together or apart, are choosing to “go their own way.” |
Posts Tagged with ‘emi’
YouLicense: Built For Independent Artists’
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on June 07, 2007
Noise Builds Over Embedding Of User Data in iTunes Plus Downloads
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on June 04, 2007
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In the hours following Apple and EMI’s debut of DRM-free music on the iTunes Store, the blogosphere was abuzz with good cheer, but soon thereafter grew a body of dissenters to an unofficially announced measure apparently taken by Apple and EMI to ensure that media purchased within the iTunes Plus milieu are “traceable.” Upon quick inspection of the issue, one could see clear reason for the response to the Big-Brother-esque strategy Apple and EMI have employed. |
YouTube, EMI Make Nice
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on June 01, 2007
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We’ve sure you’ve seen the signs. Search for a music video by name or artists on YouTube; find what you’re looking for in the results. Click. Only then you discovered on the following page a red box mentioning something or other about copyright infringement, and that the clip was no longer available for playback. Bummer. |
Apple and EMI Launch Promised DRM-Free Music Catalogue
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on May 30, 2007
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Apple today launched a subset of iTunes, dubbed iTunes Plus, established to market DRM-free, 256kbps-quality audio tracks to consumers interesting in obtaining unrestricted files for playback and to transfer any which way they so wish – as long as the application and/or device they prefer using recognizes the AAC file format. All iTunes Plus tracks cost $1.29, though full albums will run iTunes Store customers the same amount as those with digital rights management software attached. |
Amazon’s Pledge To Be DRM-Free
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on May 17, 2007
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DRM isn’t so much a product of Web 2.0 as it is its nemesis. Web 2.0 is very much an open space. DRM is very, very closed. That alone should be reason enough to send cumbersome copy protection off to the gallows. |
EMI, Apple, And The Premium Cost Conundrum
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on April 03, 2007
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What is the agreed-upon value of a digital download by nearly all involved with music distribution? Ninety-nine cents. So what is EMI’s reasoning in asking the consumers of their digital downloads to pay a 30% premium for 256kbps, DRM-free tracks on iTunes? |
EMI, Apple to Apple Deal: Fab Four on iTunes
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on April 02, 2007
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London record company EMI announced yesterday that it is planning to unveil an exciting digital collaboration with Apple Inc. The news, although not conclusive, points to an expectation that The Beatles' music catalogue will be made available to Apple's iTunes online music store. |
EMI Discredits Press Release On Beatles Downloads
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on March 14, 2007
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Mac communities were certain of it. Anti-Mac communities figured it would happen, too. Beatles fans anticipated. And then there were those that did not care. That last bunch made out pretty well considering the latest news on the Beatles-iTunes front: it's apparently not to be. At least not yet. |
Jobs Joins The Yellowcoats
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on February 08, 2007
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Apple marked February 6th with something many, many people have been waiting for for a long time. Since the dawn of the Age of iPod, the world has wondered whether the new technologies that would be developed down the road would wear peacenik garb or be the bread and butter in an era of restriction, effectively making consumers prisoners of a world their earned currency created. I make that sound like a nightmare, don’t I? But already happened. We’re living [...] |





